I hadn't planned to attend Yearly Meeting this time; it was in Northern California & Meeting funds were down; why should I go traveling for spiritual pleasure when the human destruction of the climate we depend on continues so blithely unchecked?
There was this possible nomination to Pacific Yearly Meeting's Peace & Social Order Committee. I'd said I'd accept if they couldn't do better--and didn't hear from them for a long while. Then suddenly I did; and had to scramble to make the arrangements. Our Meeting's scholarship fund was $75 short of the cost; too late to make up the difference from the exhausted PYM scholarship fund--but then somebody returned some money... and then I enjoyed nodding out while doing train/bus/train/bus/waiting-in-Petaluma-for-ride from 3:00 Sunday to early afternoon Monday. I couldn't find the tent I'd been promised, so I borrowed one from Anthony Manousos. "Bizarre travel suggestions are dancing lessons from God!" (Bokonon, in Cat's Cradle, Vonnegut)
I don't usually enjoy the opening plenary sessions, but I didn't know anything about the site and hoped to learn more. Knowing how few of us had come from San Diego, I guessed we'd de facto already split the Yearly Meeting, between Northern California attenders and people who only made it to Southern California sites. Wrong, I soon realized--High attendence overlaps the obvious geographical lines.
I'd offered to lead a worship-sharing session, heard nothing about it, assumed that must be covered. No, it was announced, there'd been plenty of volunteers but they should meet after plenary, to see who was still available. Also after plenary, the existing Peace & Social Order Committee would be meeting. Not having heard where, I followed a worship-sharing organizer to... the copy machine; would I please dash to the dining hall to ask everyone to wait while she ran off copies? I joined a small mob there blundering in the dark; someone found the light switch; the organizer appeared at last and read names, mine not included... so I was assigned to a group almost entirely of would-be leaders, hmm. Eventually I dashed to the committee meeting: four members in a lounge wondering how many minutes the plenary Meeting could digest in the twenty minute slot we expected. Two measures were ready to go: health care and the latest war (more of the first & less of the second.) A third, calling for health care assistance to poor nations, had already been approved by Southern California Quarterly, so Anthony Manuosos felt the Yearly meeting should at least consider it; meanwhile two other members had found a factual error and insisted this wouldn't do! Things got vehement! Couldn't we, I asked, just read it with a suggestion to consider something similar next year? No, Anthony would do some rewriting & they'd meet about it after dinner tomorrow. Aha! So there might be some point to my nomination; there was work here for editors!
Worship sharing is usually my favorite and least favorite part of Yearly Meeting. Generally I'll start the week feeling outcast, cramped by guidelines that prompt us to talk about our lives as if "ideas" had nothing to do with us--and then, after stretching the rules all week, I'll come out utterly fond of us all. This time, the first query was: "What does 'Community' mean to you?" Without ideas, right!
Most of us were playing it all too safe, that first session, while our one first-time yearly meeting attender was already overwhelmed and sporadically weeping. (We didn't see him again until the last day, after someone had finally caught him up and persuaded him that bypassing the queries was okay, probably even good when something else was pressing!)
Being there "on business", I spent more time in plenaries than I like. The committee's minutes were passed, through an agony of amendment & quibbling, despite one person's objection to the health care minute (She didn't, she said, know enough about it!) I thought I ought to be there when nominations came up for approval, to see if someone wiser would reject me, but all that passed while I was weeding my email.
Meanwhile I made it to Mao (A card game with secret rules; people give you penalty cards and tell you when you've broken one) but retired prudently early, forgoing my chance to add another rule.. Then I met someone who wanted to learn go; a friend of hers had been teaching the game to his classes and he might like to play. We ended up in a three-person game until midnight, whee! Another evening was an informal gathering of singers & instrumentalists. (I don't get a lot of sleep while camping; the critters play tag around my tent all night & the hard ground wakes me early each morning. That early wake-up was helpful for making it to Bible study, which was excellent this year, aside from the leader having to ask me to stifle myself a few times!)
Plenary meetings are largely devoted to what I've come to call "Quaker Football," because usually it's about what we'll say about some important issue on which nobody but us cares what we say. That is, there's a lot of strenuous activity where the outcome doesn't matter as much as the activity itself. [This happens in every organization; there's an Offensive Team (those people trying to make something happen) and a Defensive Team (everyone working to prevent that) but in the Quaker version we're stringent about Unnecessary Roughness and we add this odd twist about wanting both teams cooperating by the end, if possible.] This year we were deciding whether to hire someone to coordinate youth gatherings. That is, we had an issue combining expenditure, professional staff, and Quaker youth! It got intense!
There's a real problem being a Quaker kid. There are, yes, other people with similar values--but those aren't the values being (quite effectively) inculcated by the contemporary culture and its media. So we have these wonderful young people with good personal values and not much social support for them outside their own families. It's hard for people to be happy without at least one group where they don't have to feel like Space Aliens! For Quaker kids, that's other Quaker kids! And they're sparsely distributed in much of this State.
So, the bulk of Junior Yearly Meeting & Young Friends intensely favored this proposal, which they hoped would make up for a serious lack of volunteer effort towards religious education/peer-support in PYM. They turned out en masse & endured hours of Defense maneuvers (ranging from some cogent real difficulties to sheer ego & desperate quibbles!) with utmost patience. Jim Summers had the wonderful idea (which he didn't, alas propose) that Pacific Yearly Meeting should consist of Friends aged 50 or younger, plus an auxilary Senior Yearly Meeting (in which, I suppose we geezers would be free to practice our Quaker Football skills?)
Some really strong clerking by Joe Franko went into heroic patience, soliciting & incorporating objections--and recurring appeals to the group to find unity with what had been proposed, given the widespread approval and obvious need. Once, at the end of a grueling afternoon, when he called for the group to approve the proposal that day, a young mother went off shrieking: "Don't you dare approve this while I'm off picking up my kid."
The Second Half began with a youth vigil in the patio at lunch time, after which the group moved into Plenary and set their elders a fine example!
Shan Cretin of American Friends Service Committee rose after someone's suggestion that the funds involved go instead to her organization. AFSC needs the money this year, but she didn't want it on that basis! It had been twenty-five years ago, she said, that she first attended PYM, where a group of young people had complained, not only about a lack of help with their difficulties, but about being excluded from proper respect on matters that concerned them. Then she told a story about her daughter, during AIDS Awareness week, wanting to hang a giant condom across the two palm trees at her high school entrance. Shan had patiently explained why this was probably unwise. And then, around 11:00, she got this phone call. Her daughter was stuck up a tree and couldn't come down! Shan called a friend with climbing gear and the two of them went to the school, where they rescued the daughter and hung up the condom. When you don't have a perfect solution, she said, you still sometimes need to do something!
I don't understand Quaker fondness for business meeting! You hear utterly wonderful messages, and you hear sheer obstructive unreasonableness (even from wonderful people) and you learn far too much patience (I was occasionally wondering if I shouldn't just find a group of Kali-worshipping Quakers where business might be dealt with more expediously!) But at last, Friday after dinner hour (shortly after someone pointed out that we weren't just missing dinner, but preventing the site staff from finshing work & going home) we settled the matter over some last-ditch mutterings and one very nice man's continued inability to agree.
Quaker process, said a woman next to me at worship sharing, is not the minutuous finibickerings that so appall me, but the effort, beyond & within all that, to "follow the Spirit in decision-making." If we ever got that part down, we'd have less trouble with the rest of it!
Despite this rather full plate, I believe we scheduled more time for worship (and ended up diverting less of it) than in previous Yearly Meetings. As always, I found it powerful. When David and I left I was flying three feet off the ground and hoped to hover an inch or so up for at least a week.
Instead, I came home to an abrupt reminder that The World doesn't do business the way we do. Our landlord made a pointlessly destructive decision about the building, much to Anne's & my disadvantage, and no one who counted would look at the actual structure or listen to anyone who had. Forty-nine years of foreign war and persecutions of vulnerable poorsouls never made me so angry! I know, landlord-tenant decisions aren't made by anything like Quaker process, and that's the point. I complain about the unwieldiness of our way of operating (It's significant that the founders of Pendle Hill didn't set it up under the care of a Yearly Meeting)--and I was awestruck at the way Joe Franko's Clerking enabled our Yearly Meeting to accomplish anything whatsoever in the face of such determined opposition. Yet in my own secular situation it felt utterly wrong, that I could be treated as an obstruction, a clueless person to be overriden at the convenience of people claiming to Know Better! (I must have needed some lesson real bad!)
I am gradually becoming fit for human company again, perhaps almost ready for Peace & Social Order.
We did have a final open Peace committee meeting at PYM. Someone had thought we should talk about how Friends' social/peace concerns related to The Testimonies; so we started talking about Simplicity and ended there (since living a Life "centered in God" ought to be basis enough)--and meanwhile people had real questions that concerned them. Everyone agreed, for example, that we should have young people on the PYM committee, making as much a allowance as possible for the sheer lack of time imposed on them by contemporary economic conditions.
But mainly, the problems San Diego has had keeping up our local Peace committee have been common to many monthly Meetings. PYM' Peace committee is supposed to be working out why that is and what should be done about it. (They'd wanted more members from Southern California specifically to travel between Meetings and look into the situation in this region.)
I am interested in reactions from members of any Meeting. Is your local Peace & Social Order Committee mortibund? Why do you think that is? If so, is Meeting as a whole serving that function well enough?
Specifically, is it time to rethink some basic questions? Why does a Quaker Meeting have a Peace & Social Goodstuff committee? What is such a committee supposed to be able to accomplish? How? What is our proper relationship, as Friends, to government and other worldly institutions?
Monday, August 31, 2009
Monday, July 06, 2009
with poem
[This was recently in an exhibit for paintings w an associated poem. The final lines were taken from a rather surly ex-wife poem, while the painting, despite the horse, is about something more universal. Hence, new poem for the occasion.]:
A Confrontation
You,
facing grotesque
seemingly arbitrary fate
may fail to recognize
how well it suits you.
Please do not libel God
with claims of innocence,
accusations of cruelty.
You've known this was coming;
only the beauty
is unexpected
and the clarity
for how will you know who you are
til justice arrives
on a red horse
to break your
perfect vanity?
When will you know
who you are?
Forrest Curo
(c)2009
Monday, June 15, 2009
acrylic/mische
I have no expectation of being able to do what real artists have accomplished with Ernst Fuch's mische technique (see http://brigidmarlin.com/ ) but after some time fumbling with ways to get similar effects via cheating, I think I've got it:
The bottom picture here is an underpainting of watercolor pigments mixed with acrylic glazing medium; the first one is what this looks like after adding a layer of vinyl acetate sizing and some fairly transparent oil painting.
Sunday, May 24, 2009
update
The previous post is a jumble of photos that I wanted to get up quickly for a friend. My captions and comments were thoroughly jumbled by the site software, so I removed them.
Okay. First image. Anne playing the guitar, a few years ago, egg tempera from photo. (To see what a real artist can do with this stuff, find a copy of _New Techniques In Egg Tempera_!)
Second. 'Christmas Eve' Oil over powdered-pigments-&-watercolor mixed with flexible glue, on plexiglas. (It doesn't look like the woman in the original photo, but she too was & is that beautiful. Someone (else) had given her a toy snake, & she started hamming it up under the Christmas tree.) The oil glaze was necessary for mitigating the artistic effects that can set in with transparent media.)
Third. Oil on panel. When I painted this, I was too Representationally Challenged to make the gamba player look like anyone, but I love the way the instrument came out.
Fourth. oil on panel, granddaughter. She'd just discovered she could play "scarey music" and turned around with a look of wicked glee, which vanished before I could aim the camera. That's lost, but this is good.
Fifth. oil on used canvas. I don't know what it means either, except that the guy in the store next door had a brother who'd started to paint once, & left him with this canvas underfoot. I do things like this when the attempt to be representational is Too Hard! But as with some poems...This is not a painting of nothing; it's a painting that might have anything in it somewhere.
Sixth, Los Angeles in August 2000, glue etc on vinyl desk blotter scrap. My photo from the Sept 2000 Street Light.
Seventh. oil on canvas. I didn't have a model, had to wing it. An image suggested by a passage in a Roger Zelazny novel... & the horse reminded me of the ending of one of my poems
...and how will you know who you are
til justice arrives
on a red horse
to break
your perfect
vanity?
When will you know who you are?
The next image, edited & corrected for perspective, is from a photo of Dorothy Day, found in the Los Angeles Catholic Agitator. flexible glue-plus-watercolor & acrylic on masonite.
A woman on the bus asked me: "Did you paint that?" I modestly told her, yes. "It's different," she said.
I've been working on a bastardized version of the technique reintroduced by Ernst Fuchs,
described here:
http://www.brigidmarlin.com/Pages/Mische.html
with some wonderful examples on the site of what a real artist can do with it!
I say "bastardized" because I've been increasingly doing the bottom layers with mixtures of acrylic glazing medium & vinyl acetate (a glue & sizing material)
Doing the first layer in red, then putting in the light areas with more-or-less transparent white (which is how that technique begins) turns out to be an excellent way to make an image appear out of seemingly-nothing! If you, too, are representationally challenged, try working from a good tracing/or/drawing on a dark background! Maybe not with egg tempera, the first time!
My gift is for poetry, not for visual art. But look what can be done, with a little attention!
Okay. First image. Anne playing the guitar, a few years ago, egg tempera from photo. (To see what a real artist can do with this stuff, find a copy of _New Techniques In Egg Tempera_!)
Second. 'Christmas Eve' Oil over powdered-pigments-&-watercolor mixed with flexible glue, on plexiglas. (It doesn't look like the woman in the original photo, but she too was & is that beautiful. Someone (else) had given her a toy snake, & she started hamming it up under the Christmas tree.) The oil glaze was necessary for mitigating the artistic effects that can set in with transparent media.)
Third. Oil on panel. When I painted this, I was too Representationally Challenged to make the gamba player look like anyone, but I love the way the instrument came out.
Fourth. oil on panel, granddaughter. She'd just discovered she could play "scarey music" and turned around with a look of wicked glee, which vanished before I could aim the camera. That's lost, but this is good.
Fifth. oil on used canvas. I don't know what it means either, except that the guy in the store next door had a brother who'd started to paint once, & left him with this canvas underfoot. I do things like this when the attempt to be representational is Too Hard! But as with some poems...This is not a painting of nothing; it's a painting that might have anything in it somewhere.
Sixth, Los Angeles in August 2000, glue etc on vinyl desk blotter scrap. My photo from the Sept 2000 Street Light.
Seventh. oil on canvas. I didn't have a model, had to wing it. An image suggested by a passage in a Roger Zelazny novel... & the horse reminded me of the ending of one of my poems
...and how will you know who you are
til justice arrives
on a red horse
to break
your perfect
vanity?
When will you know who you are?
The next image, edited & corrected for perspective, is from a photo of Dorothy Day, found in the Los Angeles Catholic Agitator. flexible glue-plus-watercolor & acrylic on masonite.
A woman on the bus asked me: "Did you paint that?" I modestly told her, yes. "It's different," she said.
I've been working on a bastardized version of the technique reintroduced by Ernst Fuchs,
described here:
http://www.brigidmarlin.com/Pages/Mische.html
with some wonderful examples on the site of what a real artist can do with it!
I say "bastardized" because I've been increasingly doing the bottom layers with mixtures of acrylic glazing medium & vinyl acetate (a glue & sizing material)
Doing the first layer in red, then putting in the light areas with more-or-less transparent white (which is how that technique begins) turns out to be an excellent way to make an image appear out of seemingly-nothing! If you, too, are representationally challenged, try working from a good tracing/or/drawing on a dark background! Maybe not with egg tempera, the first time!
My gift is for poetry, not for visual art. But look what can be done, with a little attention!
Thursday, May 07, 2009
Wednesday, April 22, 2009
I should have some more info here re who Dorothy Day was, for those who don't know...
"Don't call me a saint; I don't want to be dismissed that easily."
~"Our troubles stem from accepting this filthy, rotten system."
"We confess to being fools and wish that we were more so... What we would like to do is change the world-make it a little simpler for people to feed, clothe, and shelter themselves as God intended..."
Thursday, January 22, 2009
Apologies to Archie...
Once I was a bacterium
in Cleopatra's armpit--
That was an interesting
woman to live with
(like being downstairs from an endless
tragic nightclub sports-arena!)
She had ordered a bath
with an asp to go
when I and several hundred thousand of us
were gently carried off
in a cozy rose-soapy flood
into a river of richer scents
and at last we could sleep
without plots and terror and rages
or too much of that fun
cats and primates make such a fuss about!
While we missed the nightly news
of what was happening in Egypt
there were crocodiles and fish and hippos
with their own stories going on.
in Cleopatra's armpit--
That was an interesting
woman to live with
(like being downstairs from an endless
tragic nightclub sports-arena!)
She had ordered a bath
with an asp to go
when I and several hundred thousand of us
were gently carried off
in a cozy rose-soapy flood
into a river of richer scents
and at last we could sleep
without plots and terror and rages
or too much of that fun
cats and primates make such a fuss about!
While we missed the nightly news
of what was happening in Egypt
there were crocodiles and fish and hippos
with their own stories going on.
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